My turn on Oscar
I have a confession, well not so much as a confession as an admission. I really like talking about movies....so Oscar season is a fave of mine. Fun to project who is going to nominate, but even more fun talking about who is going to win. This year, like most--I haven't seen all of the Best Picture noms (I might have seen them all last year). As of today, the only category I feel like I can give my predictions is Best Actor Category...because I've seen all of those films.
So here goes....in order from who i feel is least likely to win to most likely
Heath Ledger in “Brokeback Mountain” (Focus Features)
Okay, I saw it. The film itself isn't that controversial. Heath Ledger had the responsibility of playing the lead in this film-his character has more screen time and is more crucial to the theme of this pic than Gyllenhall(I disagree with his nomination). Without a lot of dialogue, Ledger shows the conflicts Ennis's character is going through so well. That being said, its a good thing Ledger didn't have a lot of words....his accent, while not Kevin Costnerish bad, is the weakest thing about his performance.
David Strathairn in “Good Night, and Good Luck.” (Warner Independent Pictures)
Strong, understated, performance. I enjoyed it, but the details of this performance are alluding me. That being said, his reaction to the Liberace piece was classic------and this film deserves this and other nominations it received.
Terrence Howard in “Hustle & Flow” (Paramount Classics, MTV Films and New Deal Entertainment)
Howard's performance was the glue that held this movie together (although almost all of the supporting characters were strong performances). Somehow, a movie that's been done several times shined because of the character Howard played. The performance was nuanced, complicated and in the end, we remembered, "Its hard out here for a pimp."
So here goes....in order from who i feel is least likely to win to most likely
Heath Ledger in “Brokeback Mountain” (Focus Features)
Okay, I saw it. The film itself isn't that controversial. Heath Ledger had the responsibility of playing the lead in this film-his character has more screen time and is more crucial to the theme of this pic than Gyllenhall(I disagree with his nomination). Without a lot of dialogue, Ledger shows the conflicts Ennis's character is going through so well. That being said, its a good thing Ledger didn't have a lot of words....his accent, while not Kevin Costnerish bad, is the weakest thing about his performance.
David Strathairn in “Good Night, and Good Luck.” (Warner Independent Pictures)
Strong, understated, performance. I enjoyed it, but the details of this performance are alluding me. That being said, his reaction to the Liberace piece was classic------and this film deserves this and other nominations it received.
Terrence Howard in “Hustle & Flow” (Paramount Classics, MTV Films and New Deal Entertainment)
Howard's performance was the glue that held this movie together (although almost all of the supporting characters were strong performances). Somehow, a movie that's been done several times shined because of the character Howard played. The performance was nuanced, complicated and in the end, we remembered, "Its hard out here for a pimp."
Joaquin Phoenix in “Walk the Line” (20th Century Fox)
I can't think of anything hotter than Joaquin Phoenix performing in this movie (except for George Clooney's smile in a video clip this morning but that doesn't count). Joaquin channeled Cash, and if it wasn't for Hoffman, this would be my first choice for acting hands down. The only flaw I can think of in this performance is that he seemed a little wooden in some of the scenes-but Cash was a pretty shy, private individual.
Philip Seymour Hoffman in “Capote” (UA/Sony Pictures Classics)
Watching this film, I felt like I was watching one of the best acting performances of the decade unfold before my eyes. There's not enough accolades I could think for this performance (is that gushing enough?). Hoffman somehow pulls off playing a cultural icon...and lets us see all of the descrepancies that made up this author, and the deeply complicated position he found himself in and how the demons in this film eventually would kill this eccentric, but bright light.
7 comments:
Oh, it's sublime to read someone else's take on Hoffman's Capote that speaks for me! He was absolutely mesmerizing and haunting, and you're not gushing to say it was the best in ten years. I agree. Okay, maybe we're both gushing.
But, God, he's won 20 critics groups awards already - seems like a whole lot of us gushers out there, or he's actually quite brilliant. I'm gonna go with the brilliance thing!
I haven't seen Capote, even though I really wanted to. But, I really want Joaquin to win in a major way. He was so dope as Cash.
I am obsessed with movies--so, how shameful is it for me to admit I haven't seen a single one of these movies? Horrible!
I think that Hoffman and Phoenix were equally good in their respective roles...but Hoffman seems to be winning all the critics awards.
Barring any major surprise, I think a Hoffman victory is pretty much a done deal.
And, yes, Smash....it's pathetic that you haven't seen any of these movies.
I stopped back in to thank Ruby g for stopping at my blog and to answer her question - we didn't get to see Brokeback yesterday. Work called, instead, so it looks like this weekend. I've heard such good things that now I'm worried it'll be like Mystic River and not live up to the hype. But I hope it's good.
If Hoffman doesn't win it, then Ledger probably will....and he's just not up to par with the rest of the competition.
Walk the Line finally comes out here (Germany) this weekend in English, not dubbed, so I will let you know what I think of Joaquin's performance.
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